In her remarkable collection, Asperity Street, Gail White takes on the whole sweep of existence. The street becomes the road of a lifetime, beginning with a Southern childhood and ending with a hospice finale. Laconic, ironic and comic, White’s drily resourceful, wickedly companionable voice takes aim on patrimony, matrimony, religion, money and the myth that assumes we choose our lives. With her sublime linguistic choreography, these poems dance to complex metrical tunes. We feel and hear them pulse with equal parts sympathy and vitriol. In Gail White’s capable hands, Asperity Street unfolds as a brilliant mural we can return to again and again, as the poet does—still vulnerable, and wiser each time.
— Molly Peacock, 2014 Able Muse Book Award judge, author of The Paper Garden
Gail White has done it again: here is another collection by one of America’s wittiest, most technically adept, funniest and most serious commentators on what it feels like to be human.
— Rhina P. Espaillat (from the foreword), author of Her Place in These Designs
I looked forward to reading Gail White’s new book of poems, Asperity Street, because I know she is one of America’s funniest poets, so when I got the manuscript I sat down to read it immediately. I knew how much I would enjoy it. I was not disappointed. The first three sections of this four-part collection have wit and bon mots in good measure, socko endings, words I’d never seen in poems before, like “cloaca” or a made-up word ending, “substituth,” to satisfy a droll rhyme. But nothing prepared me for part four. Nothing procedural changed. The insights were as sharp as ever, the language exact and clear, the cleverness and dexterity with form as deft, the music as mesmerizing . . . but this was a serious poet I’d not encountered before: there was a deepening of vision, an enhancement of feeling, the rueful treatment of life and death took on a cutting edge that slices to the bone. Don’t miss reading this book.
— Lewis Turco, author of The Book of Forms
